“Before I wrote The Cartographer, I would’ve avoided using anything except strings – because I didn’t understand and had no cause to”: Jo Quail learned to write for trombone just in time to add energy to her EP set Invocation/Supplication

“Before I wrote The Cartographer, I would’ve avoided using anything except strings – because I didn’t understand and had no cause to”: Jo Quail learned to write for trombone just in time to add energy to her EP set Invocation/Supplication

Experimental cellist explains how she took two very different musical approaches and blended them with the very different voices of Maria Franz and Lorenzo Esposito Fornasari

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