As we gazed into August skies
Time stood still as we said goodbye
You were the sound that would guide me home
On rainy summer’s nights
There is something about seeing light in the dark that makes memory misbehave. A passing streetlamp, a blur of headlights, the glow of a city seen through glass at night — suddenly love, loss, and all the years you thought you had outrun come rushing back with their collars up and their hands in their pockets. That is the emotional weather running through Days Go By, the new song from Liverpool duo So, Reverie, where time keeps moving, the past keeps pressing its face to the window, and every bright smear against the black seems to carry another old, yet tender bruise.
And that ache feels earned. Andy Power and Cain Garcia come with the kind of backstory that has scuffed shoes, bad luck, and brotherhood all over it, and Days Go By carries that history in its bones. The song began as a vocal melody and a title left sitting in Power’s phone since 2020, which is exactly where half the best songs live before they find their moment. Years later, during a spell of unemployment and uneasy nights spent demoing after daytime job-hunting, the piece snapped into place around an open-tuned chord progression. Suddenly, the old words had wheels.
Produced with Rob Whiteley at Whitewood Recording Studio, Days Go By moves like a night bus tearing through wet Liverpool streets while somebody in the back is pretending they are fine. The guitars come rushing in with that 2000s indie-rock appetite, the drums kick the track forward, and Power sings like memory has its hands around his collar. You can hear The Cure’s romantic ache, New Order’s forward drive, Slowdive’s blurred horizon, Interpol’s black-suited precision, and Bloc Party’s city-bred adrenaline in the bloodstream, while newer kin like Bleach Lab, NewDad, HighSchool, Sunken, and DIIV hover nearby in the same rain-slicked district of post-punk, dreampop, jangle-pop, indie pop, indie rock, and shoegaze.
The song’s lyrics circle love as tide, weather, wreckage, and seasonal ritual, where change comes slowly, then all at once. Waves alter their shape in their own time; deep seas carry someone away; August skies hold the last heat of a goodbye before the leaves begin to fall. Days Go By understands that romance has seasons too: the bloom, the burn, the long wet summer night, the autumn reckoning. Distance becomes vast and salt-stung, while dreams gather around a love that keeps returning after the door has shut. This is not clean heartbreak. It is the bittersweet afterlife of attachment, the part where the mind keeps holding séances with the past as time insists on moving forward.
“Days Go By is a tune we set out to create with a slightly different feel to our other tracks,” says Power. The difference shows. The gauzy pull of Close My Eyes and Runaway remains, but here it gets shoved into sharper motion, turning nostalgia into a dare with headlights on it.
Laurie Clapson’s Hi8 video knows exactly where this song lives: city lights sliding through blackness, blur, motion, faces, and feeling half-caught by tape hiss and time. Liverpool becomes less backdrop than bloodstream, a place where friendship, frustration, invention, and ambition move under sodium lamps, still looking for the next open road.
Watch the video for “Days Go By” below:
Since forming in 2023, So, Reverie have already found support through BBC Introducing North-West, shared stages with HighSchool, Bleach Lab, GIFT, and Heartworms, and sold out The Kazimier Stockroom. Days Go By, out 24 April 2026, suggests their forthcoming six-track debut EP may be where the duo turn private persistence into public velocity: two friends, six strings, drums, and a city’s worth of lights moving faster than regret.
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Photo by Laurie Clapson
The post “Time Stood Still as We Said Goodbye” — Liverpool’s So, Reverie Shares Video for Wistful Indie Rock Anthem “Days Go By” appeared first on Post-Punk.com.
