Black Cilice – Votive Fire Review

In a genre as insular as the often meme’d-and-mocked “one man raw black metal” offerings, Black Cilice have managed to become kind of a big deal. With an early release schedule that makes Coffins look like a bunch of slackers, their output has finally begun to slow down over the years, going from multiple splits and demos in one season to multi-year bouts of interruption. Votive Fire comes after an unusual four-year gap between full-lengths, claiming a slightly improved production and an emphasis on bigger songs. Black Cilice have been on a bit of an evolutionary bent as of late, transitioning from an almost impenetrable wall of noise into crafters of riffs with real might without sacrificing mood. I was curious to see how this newest creation would manifest itself, so go get your favorite goat to sacrifice and come take a walk through the fires with me.

How raw is raw? While older Black Cilice albums channel piercing treble tones through wind-tunnel cacophony, later works have tinkered with just a touch of varied emphasis. Previous LP Esoteric Atavism had decipherable leads which shimmered over the blast-heavy chords, and recent EP Tomb Emanations1 had a radical focus on emphasized doomy chord progressions in lieu of sheer assault. Votive Fire continues this slight change, returning to the more fog-and-moonlight murk of Transfixion of Spirits, but this time the band gives the listener a slightly brighter lantern. The drums have the bass kick cranked way up, giving every slowed rhythm a tribal pulse. The rest of the kit benefits too, with the expected speed in bits of “Into the Inner Temple” letting cymbals shine brightly in their fills and accents, somehow well articulated while still buried enough to offend people looking for something with the clarity of Necrophobic.

Votive Fire by Black Cilice

The net result of this production is an album that seeks to be meditative and soothing more than frightening and oppressive. The compositional approach of Votive Fire is four long songs that pick a key motif and then, ever so slightly, tweak and evolve the main riff through tempo changes and sustained chord pounding. It’s in these slower moments that the Fire shines the brightest; see the climactic slowdown ending “Released by Fire”, where the open space lets the drums run full scales while the looping chord progressions slowly build tension before exploding into another burst of speed without losing the established melancholy. That melancholy permeates the whole of Votive Fire. While Black Cilice could hardly be accused of ever making something uplifting, this particular album sidesteps the typical bleak claustrophobia with a vision much more inclined to introspection and self-reflection.

The one knock on Votive Fire is that, from a formula standpoint, each song follows roughly the same pattern: repetitive, hypnotic progressions under crystalline blasts evolving into a chunkier, punkier refrain before collapsing back into more anguished strums, all lashed forward by the glass-shattering vocals. With such a scant song selection, it may seem a little silly to try to find highlights. However, this is a headphone purist’s dream album, where the repetition of formula disguises the unique twists genuinely present, rewarding repeated listens in the right environment. “Vows Sworn for Centuries” hides a real gem of a riff in a shifting blast-beat instead of a slowdown, and “Deconstruction of All Realities” carries a main midtempo refrain which is both ritualistic and head-bangable. The production helps with this, somehow managing to mix everything to the bottom instead of to the front and letting the listener search for details articulated in the mire, rather than pushing everything forward and letting the disparate elements compete for attention. Consequently, this is a rare album that is raw af but somehow graceful to the ears, inviting the listener to dive deeper rather than partake in a display of auditory masochism.

Votive Fire manages to give itself an identity apart from previous Black Cilice releases, but where it can rank depends on what you’re looking for. It’s not as aggressive and riff-centric as Esoteric Atavism, not as punishingly raw as Summoning the Night, or as frighteningly atmospheric as Transfixion of Spirits. Instead, by fusing the riff game of the former into the misty comfort of the latter, Votive Fire transcends being a slab of aural abuse by way of offering moments with genuine, wistful beauty. That’s not a label I often get to associate with this genre, but I’m hardly disappointed. If you’re bored by the air-conditioner sound of your average one-man black metal, go light a candle and let the Votive Fire offer you a glimpse into something more, just beyond the veil.

Rating: 3.5/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Iron Bonehead Productions
Website: Album Bandcamp
Available Worldwide: May 1st, 2026

The post Black Cilice – Votive Fire Review appeared first on Angry Metal Guy.

Leave a Reply

Your email address will not be published.

Previous post ADOR Appoints New Lawyers For Lawsuit Against Danielle And Min Hee Jin
Next post Rod Stewart says to King Charles on Donald Trump: “You put that little ratbag in his place”

Goto Top