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“An enchanting brew of grunge and shoegaze with the DIY attitude of riot grrrl punk.” Twin sisters Softcult continue to evolve in thrilling new ways on Heaven

“An enchanting brew of grunge and shoegaze with the DIY attitude of riot grrrl punk.” Twin sisters Softcult continue to evolve in thrilling new ways on Heaven

Canadian sisters Mercedes and Phoenix Arn-Horn expand their riotgaze sound on new EP, Heaven

AMG Turns 15: Senior VPs Speak

AMG Turns 15: Senior VPs Speak

15 years ago, on May 19, 2009, Angry Metal Guy spoke. For the very first time as AMG. And he had opinions: Very Important Opinions™....

“Every record has its hilarity and dark nights of the soul.” Every St. Vincent album in her own words

“Every record has its hilarity and dark nights of the soul.” Every St. Vincent album in her own words

St. Vincent has one of the most bold, original and acclaimed catalogues in modern rock. Annie Clark talks us through every album

“I feel that black metal is a really feminine genre.” Meet Witch Club Satan, the Necrobutcher-approved feminist trio pushing the boundaries of metal’s most extreme subgenre

“I feel that black metal is a really feminine genre.” Meet Witch Club Satan, the Necrobutcher-approved feminist trio pushing the boundaries of metal’s most extreme subgenre

Witch Club Satan are powered by female rage and are rewriting the black metal rulebook

“I used to pretend to be in their band in the mirror.” Watch Ed Sheeran live out “a childhood dream” by joining The Offspring onstage in California

“I used to pretend to be in their band in the mirror.” Watch Ed Sheeran live out “a childhood dream” by joining The Offspring onstage in California

Dreams can come true

“I said, ‘What’s this – “Run For Home?’ He said, ‘Oh, that’s just shite’”: Lindisfarne’s biggest-selling hit, like so many, was a happy accident

“I said, ‘What’s this – “Run For Home?’ He said, ‘Oh, that’s just shite’”: Lindisfarne’s biggest-selling hit, like so many, was a happy accident

If Back And Fourth producer Gus Dudgeon had arrived early, Ray Laidlaw wouldn’t have been looking through Alan Hull’s lyric book beside a piano

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