Once again, I return to my roots. That opulent, gem-encrusted egg from which my metalhead nascency spawned, symphonic power metal. Cloaked in velvet drapery as I return to these cobbled alleys I used to haunt, those early years steeping in Nightwish, Leaves’ Eyes, Epica, and Xandria wash over me, evoking a nostalgic bliss. Enter Greece’s Mystfall and their sophomore effort Embers of a Dying World. Relatively fresh on the scene, and competing with newer champions like Elvellon or Dialith, do Mystfall have what it takes to make waves?
If nothing else, Mystfall have two big things going for them: a (relatively) meaty guitar tone and the most convincing death growls and blackened rasps in the genre right now. Thanks to a moderately-better-than-industry-standard mix and master, you can clearly hear the bass guitar thundering underneath lush strings and prominent choirs as well. These are items that countless acts in this space neglect or shortchange, but not Mystfall. Thankfully, those items don’t detract from the usual suspects. Operatic mezzo-soprano lead vocals, heavily accented; hooky verse work and soaring choruses; galloping drums and brisk pacing; rich orchestrations; the gang’s all here, and in fine form for the most part. And, in another unexpected breath of fresh air, Embers of a Dying World clocks in at a tidy 38 minutes, with the longest song just barely brushing past five minutes. It seems that on paper, Mystfall fully understood their assignment and gave me everything the world needs in a modern symphocheese record.
Embers Of A Dying World by Mystfall
In practice, Embers of a Dying World acquits itself quite nicely as well. Enlisting the help of studio bassist and harsh vocalist Stelios Varotsakis was an inspired choice, as his counterpoint on both instruments elevates everything it touches (“Embers of a Dying World,” “Fading Memories”). It is my assertion that Mystfall make him a full-fledged member of the band immediately. However, his contributions aren’t so astounding as to distract from Marialena Trikoglou’s siren song, Aris Baris’ chuggy riffs, or Dimitris Miglis’ expressive percussion (songs). Hints of old school Epica melodies (“Crimson Dawn,” “Echoes of Arcadia”), Leaves’ Eyes/Xandria adventurism (“Whispers of the Tempest,” “Guardians of the Earth,” “Cosmic Legends”) and Nightwish double bass bounce (“Sleeper in the Abyss”) coalesce into a fun variety of moods and motifs, all smartly woven together to allow each performer their spotlight. With such a bizarrely tight runtime, Embers of a Dying World is also ridiculously easy to spin multiple times in one session, assisting greatly with long-term memorability.
Unfortunately, Mystfall still struggles to find a distinct identity in the homologous plague the symphonic power metal scene perpetuates. While crafting an enjoyable album that is undoubtedly fun and wholly engaging, its similarity to those bands that originally forged the style is undeniable and obvious. Partly due to the strict and restrictive nature of operatic singing techniques—and the physiological difficulties that committing to that style poses to the exploration of any other kind of singing—Marialena’s technically competent performance here lacks impact and power when pinned against singers who can and do work in multiple disciplines (Simone Simons, Floor Jansen, Veronica Bordacchini). On the instrumental front, Aris Baris’ riffs rarely venture outside of the conventions long upheld in this field, often allowing the orchestrations to take point when leading melodies or initiating motifs. Even the dramatic orchestrations lack the showstopping quality they could have if they were either recorded with a full orchestra or more unique in composition or arrangement.
As a result, Embers of a Dying World feels misplaced in time. Were it released in 1996 or thereabouts, it would’ve constituted an instant hit, a direct competitor to the pack leaders at the time. In 2026, it’s one in a million, albeit better made and brilliantly edited. As maligned by songwriting issues and stylistic banality as symphonic power metal often is, competing for acclaim and attention in that crowded place requires a fierce, striking showing. Mystfall have everything they need to make that showing, but Embers of a Dying World falls just short of that elusive threshold. That said, I’m impressed with it enough to wait avidly for what Mystfall might come up with next!
Rating: Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: mystfallofficial.com | facebook.com/mystfallofficial
Releases Worldwide: March 20th, 2026
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