So, Reverie arrives out of Liverpool with a compelling, authentic backstory. You can hear it in the grain of their music: two young lifers, Andy Power and Cain Garcia, learning how to stay standing through the usual artistic bruisings, then turning that bond into a duo that knows how to move with purpose. Their latest single, Runaway, feels born from exactly that sort of hard-earned closeness, where instinct travels fast, and one small riff passed across a soundcheck can become the engine for something bigger, brighter, and slightly bruised.
What grabs you first is the lift of their jangle-pop melody, that quicksilver guitar riff that came from Power pulling himself out of standard tuning and into strange territory inspired by Billy Corgan’s methods. You can almost feel the room where it clicked, the moment Garcia latched onto it, the week between discovery and development, the drum machine experiment giving way to live drums when the pair realized the song needed muscle and motion rather than mechanical neatness. That choice gives Runaway a pulse and push; the sense of a song being chased by its own momentum.
There is a marvellous emotional split at the center, which Power describes perfectly: “After we wrote the instrumental, I really wanted the lyrics to feel bittersweet in contrast to how joyous the melodies were as that juxtaposition between sadness and happiness within music is something that has always fascinated me.” The tune glides in with a kind of open-armed rush, while the words carry the ache of loving someone who will never return the same devotion; of knowing the scales are broken and offering your heart to them anyway.
Power goes even deeper: “It’s one of the first songs I’ve written where I’ve actually spoken from the point of view of someone else instead of myself; seeing people you hold dearly to you falling out of love is really difficult and I think it’s something a lot of people can relate to. Whether it’s happening to you or you’re the one witnessing it unfold with others, it all still hurts.”
That perspective gives the song a wider field of feeling, less diary-entry than shared scars.
The Video8 clip directed by Laurie Clapson suits it beautifully, folding Liverpool’s streets and familiar corners into the song’s wistful weather. So, Reverie may wear traces of post-punk, dreampop, jangle-pop, and shoegaze in their bloodstream (via The Smiths, The Cure, and The Ocean Blue), but Runaway feels less like genre exercise than two friends finding the shape of their own language. For a duo still building toward their debut EP, this is one hell of a calling card.
Watch Runaway below:
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The post Liverpool Post-Punk Duo So, Reverie Share the Joy and Ache of Letting Go in Video for “Runaway” appeared first on Post-Punk.com.