London outfit The Silent Era spiral through repetition and rupture on Oscillations, a serrated hymn from their latest LP Wide And Deep And Cold. The London quartet strip post-punk down to nerve and marrow: cycles of collapse, stitched together with shoegaze static and industrial hiss. Promises break like waves, reforms fold in on themselves, and the emotional wreckage loops, a dance of doomed renewal.
Bri Macanas sings like she’s channeling ghosts through cracked glass: half skybound, half subterranean. Chris Schwarten’s guitars screech and shimmer like metal dragging on pavement, while Nicolas Zappa’s bass surges beneath, thick with dread. Jo Eiffes’ drums hit like a countdown to something you already survived. Imagine Ann Wilson fronting Chelsea Wolfe’s funeral band, backed by Deftones on downers and The Cure’s melancholia steeped in icy stormwater.
Oscillations is a requiem in motion: the lyrics wrestle with the grind of recurring letdowns, marveling at the madness while growing weary of the same tired trials. Fatigue settles in, yet there’s a flicker of reflection: a pause, a breath, a hesitant step toward forgiveness. Still, recognition looms: these rhythms are not new, these echoes familiar, the same voices murmuring old cautions. It’s a tale of repetition where the dance between hope and resignation never quite finds resolution.
The video was directed by Lola Atkins and is our first ever music video, shot, edited etc in London, UK.
Listen to Wide And Deep And Cold below – or your preferred service here.
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