Having toiled and troubled over a bubbling cauldron for the past thirteen years, London, England’s Necromaniac, is finally prepared to cast the spell of its debut album Sciomancy, Malediction & Rites Abominable.1 A multi-national coven consisting of musicians from Sweden, Spain, Greece, and Poland, Necromaniac are self-described practitioners of “morbid metal.” After 2015’s promising and well-received demo Morbid Metal dropped, in addition to 2018’s mini-EP Subterranean Death Rising, Invictus Productions signed on in 2024 to release Sciomancy, Malediction & Rites Abominable, promising listeners “A truly sinister musical journey containing nine forbidden rites steeped in witchcraft, necromancy and an overall occult and utterly macabre atmosphere.” So I wondered, is this pricking in my thumbs a sign that something wicked this way comes, or is Necromaniac‘s witchery nothing more than parlor tricks?
An elixir of blackened death and thrash, with synth-sprigs of thyme and dashes of doomsbane thrown in for atmospheric effect, the morbidity of Necromaniac‘s metal is steeped mainly in the olde ways. Conjuring strong Hellhammer and Morbid2 vibes, there’s a rawness to the sound of the organic mix that belies the DR score you see below. Ensorcelling ‘guitarmageddon’ is Sadistik Fornicator, who laces the swirling potions of Sciomancy, Malediction & Rites Abominable with Toxic Holocaustian riffage (“Daemonomantia”) and guitar passages that sound as if they could have come straight from the cutting room floor of Slayer‘s Show No Mercy sessions (“Teraphim (Skull Sorcery)”). Combine those riffs with the potency of The One’s ‘Basstard Tremblings’ and V. Pestilencia’s ‘Apocalyptic Drumonitions,’ and the thrashily blackened death metal Necromaniac offers up is ruthlessly effective. When things shift toward the more atmospheric, however, cracks start to show and highlight the most significant battle fought within the album’s walls, which pits the strength of its metal against its more melodramatic tendencies.
Sciomancy, Malediction & Rites Abominable by NECROMANIAC
With nothing to dilute its potency, the metal of Sciomancy, Malediction, & Rites Abominable is razor-sharp and capable of carrying the weight of the entire album. One quaff of the black-‘n-roll draught of riffs from “Grave Mound Oath” will have you bobbing your head and wondering what the hell ever happened to Carpathian Forest. At the same time, the swirling speeds of “Great is the Thirst of the Restless Dead” and the remorseless “Swedenborg’s Skull,” with its ebb and flow of pummeling riff work and atmospherically doomy passages, are a satisfying earworm of harrowing hocus-pocus. Atop all these infernal conflagrations float the vociferous vocalizations of C. Howler, whose grunts, growls, and menacing howls perfectly complement Necromaniac‘s morbidly sharp metal blade. If this were all we had to speak of regarding Sciomancy, Malediction & Rites Abominable, the overall perception would have been mostly positive, but there are elements left to address.
Necromaniac‘s firm forays into the strictly atmospheric fall short, cloaking those elements meant to invoke spine-chilling shivers in shrouds of theatrically overwrought melodrama instead. Other than “Caput Draconis,” with its effectively doomy guitar work and King Diamond-esque warbling3 providing an atmospherically eerie opening to the record, other attempts to tap the same vein miss the mark. Supplied by and known here only as A Corpse Without Soul, the guest vocals on “Bring Forth the Shade” and “Conjuration of St. Cyprian” are a mixture of cantankerous chuckles and over-embellished groans, whispers, and wails, combined then with the half-baked doom instrumentation and synths, create an overall effect more cringe than creepy. These tracks, in tandem with the ten-plus minutes of overly-long closer “Necromancess / Cauda Draconis,” full of meandering drawn-out doom work, make Sciomancy, Malediction & Rites Abominable feel longer than its near forty-nine-minute runtime should, negatively impacting the flow and momentum this witchy metal seance might otherwise have had.
Necromaniac‘s strength lies in the metal of its sciomantic maledictions and less in the melodrama of its abominable rites. Songs like “Grave Mound Oath,” “Teraphim (Skull Sorcery)” and “Swedenborg’s Skull” prove Necromaniac has the chops to stand tall next to other bands successfully peddling this same form of blackened death metal, but using vehicles that end up conjuring an atmosphere more mawkish than macabre costs Necromaniac most here. And while I can’t fully endorse Sciomancy, Maledictions and Rites Abominable, there’s enough meat on this bone to have me scoping Necromaniac‘s next incantation.
Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Invictus Productions | The Anja Offensive
Websites: necromaniac.bandcamp.com | facebook.com/necromaniacUK
Releases Worldwide: January 13, 2025
The post NECROMANIAC – Sciomancy, Malediction & Rites Abominable Review appeared first on Angry Metal Guy.
