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“They matched ELP for pomp, bombast, overambition and grandiosity of execution”: How Frankie Goes To Hollywood helped carry prog into the 80s and beyond with Welcome To The Pleasuredome

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“They matched ELP for pomp, bombast, overambition and grandiosity of execution”: How Frankie Goes To Hollywood helped carry prog into the 80s and beyond with Welcome To The Pleasuredome

With a stack of references to the 70s giants, and three members of Yes involved, how could any debut double album arrive without prog credentials?

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